Issues : Errors in EE

b. 10-16

composition: Op. 28 No. 24, Prelude in D minor

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EE1 has no  signs in the middle of bar 10 and at the end of bars 15-16. These are probably oversights by the engraver. Only the first one was corrected in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 18

composition: Op. 28 No. 24, Prelude in D minor

Long accent in A (→FC)

in FE

No mark in GE & EE1

in EE2

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As was the case with b. 3, in A the long accent is placed right under the note; however, in FE it was moved to the right, hence it could be interpreted as a  hairpin. This is how it was reproduced – moving it even further to the right – in EE2 (EE1 omitted the mark). The absence of the mark in GE is most probably an oversight of the engraver.

category imprint: Differences between sources

issues: Long accents , EE revisions , Inaccuracies in FE , Errors in EE , Errors in GE

b. 21-23

composition: Op. 28 No. 24, Prelude in D minor

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EE1 overlooked ties to a in bars 21-22 and g1 in bar 23. The errors were corrected in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 49-50

composition: Op. 28 No. 24, Prelude in D minor

a1 tied in A (→FE,FCGE) & EE2

a1 repeated in EE1

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The missing tie of a1 is a mistake of the engraver of EE1, corrected in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 59

composition: Op. 28 No. 24, Prelude in D minor

Wedge & staccato dot in A (→FC)

Wedge in FE

Staccato dot in GE

No marks in EE

..

The omitted staccato markings in the editions must be oversights.

category imprint: Differences between sources

issues: Errors in FE , Errors in EE , Errors in GE